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English Literature

Pearson Edexcel IGCSE 4ET1 · Paper 1: Poetry + Modern Prose · Section A: Unseen (20 marks) · Section B: Anthology Poetry (30 marks) · Section C: OMAM (40 marks) · Closed book

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Section C — Of Mice and Men · 40 marks · Closed book. AO1 (20 marks): knowledge, argument, personal response. AO4 (20 marks): context — 1930s Great Depression, itinerant workers, racism, gender. Every paragraph needs a quote AND a context link. Learn the quotes — you cannot take the book in.
Section B — Anthology Poetry · 30 marks. You choose one question from two. Each asks you to compare two named poems. AO2 (analyse language, form, structure) + AO3 (compare throughout — not one poem then the other). Poems are provided in the exam.
All 16 poemsAnthology Poems — Edexcel IGCSE 4ET1

All 16 poems from Part 3 of the Pearson Edexcel International GCSE English Anthology. Click any poem to revise key analysis and comparison techniques.

Carol Ann Duffy · Contemporary
War Photographer
Guilt, indifference, the photojournalist's moral weight
Robert Browning · Pre-1900
My Last Duchess
Power, jealousy, the dramatic monologue, Victorian patriarchy
John Agard · Contemporary
Half-Caste
Identity, race, dialect as resistance, the absurdity of racial categories
Christina Rossetti · Pre-1900
Remember
Death, grief, the Petrarchan sonnet volta — selfless love
Dylan Thomas · 20th century
Do Not Go Gentle into That Good Night
Death, resistance, the villanelle, a son's grief
William Blake · Pre-1900
The Tyger
Creation, evil, God as blacksmith — the Romantic sublime
John Keats · Pre-1900
La Belle Dame Sans Merci
Seduction, destruction, the ballad form, the femme fatale
William Shakespeare · Pre-1900
Sonnet 116
Ideal love as constant and unchanging, time, the sonnet
Imtiaz Dharker · Contemporary
Blessing
Water scarcity, community, the miraculous, religious imagery
Sujata Bhatt · Contemporary
Search for My Tongue
Bilingualism, cultural identity, the mother tongue as a plant
U.A. Fanthorpe · Contemporary
Half-past Two
Childhood time, imagination, invented vocabulary, nostalgia
Alice Walker · Contemporary
Poem at Thirty-Nine
Grief, father, memory, cooking as love — direct and simple
D.H. Lawrence · Early 20th century
Piano
Involuntary memory, childhood, grief overcoming masculine composure
Vernon Scannell · Mid-20th century
Hide and Seek
Childhood disappointment, abandonment, second person — desolate ending
Louis MacNeice · WWII (1944)
Prayer Before Birth
Resistance to dehumanisation, WWII context, anaphora, the unborn voice
Rudyard Kipling · Edwardian
If—
Edwardian masculinity, virtue, empire — conditional structure
Section A — Unseen Poetry · 20 marks · AO2 only. A poem you have not seen before is given to you in the exam. You write one essay exploring how the poet creates meaning and effects. No comparison needed. Focus on: language choices, imagery, structure, tone, form. The poem is there — use it.
TechniqueUnseen Poetry — Approach

For unseen poetry, the exam gives you the poem. Your job is to annotate and analyse — not to recall. These skills transfer from the anthology poems you've already studied.